An extraordinary journey of how far we go to fight for our family.
Cast |
Hilary Swank, Sam Rockwell, Thomas D. Mahard, Owen Campbell, Minnie Driver, Juliette Lewis |
Director |
Tony Goldwyn |
Screenplay | Pamela Gray |
Music | Paul Cantelon |
Cinematography | Adriano Goldman |
Editing | Jay Cassidy |
Sound formats | Dolby Digital |
Made in | 2010 |
Produced by | Pantheon Entertainment Corporation, Oceana Media Finance, Innocence Productions, Longfellow Pictures, Prescience Films, Prescience |
Official Site | IMDB page | ScreenIt Report
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Genre | Drama |
Language | Strongish, fairly frequent |
Nudity | None |
Sex | None |
Violence | Moderate |
Prejudice | None |
Blasphemy | Some profanity |
Drug abuse | None |
Comments | None |
These details are supplied by the FPB. If you have a problem with any of the above, please take it up directly with the FPB. Read the Classification Guidelines. |
Sex / Nudity |
Violence |
Blood / Gore / Gross |
Guns / Weapons |
Profanity |
Alcohol / Drugs |
Smoking |
Disrespectful / Bad Attitude |
Imitative Behaviour |
Frightening / Tense Scenes |
Jump Scenes |
Tense Family Scenes |
Music (Scary/Tense) |
Music (Inappropriate) |
Topics to talk about |
Scale (Max) | 20 | |
What the Critics say | ||
Cape Argus / The Star Hollywood Reporter More manipulative than it needs to be | 10 | |
Die Burger Paul Boekkooi Dit kon beter gewees het | 10 | |
Cape Times Well constructed tale | 15 | |
The Citizen Bruce Dennill | 10 | |
Box Office Pete Hammond Conviction is a stirring, unforgettable motion picture experience, a superbly acted and courageous story of one woman who made a difference. It deserves to be seen. | 15 | |
Chicago Sunday Times Roger Ebert | 15 | |
eye Weekly Dave Morris Had director Tony Goldwyn expended more of the film’s first half examining Waters’ blind faith instead of taking it mostly for granted that the audience would empathize with someone so insufferably driven, a quality neither Swank nor Goldwyn manage to mitigate or even distract from, Conviction might have added up to more than just a series of lucky breaks signifying very little. | 5 | |
ReelViews James Berardinelli As disposable entertainment, Conviction can make a case, but nothing in the story or its telling elevates it above that which has already been provided in other, better motion pictures. | 13 | |
Rolling Stone Peter Travers | 13 | |
ScreenIt C. Fuchs In the end, it feels like Oscar bait without enough on the hook to draw us in and make us bite unconditionally. | 10 | |
Metacritic.com 32 critics | 12 | |
Rottentomatoes critics 167 critics | 12 | |
Rottentomatoes tomatometer Tomatometer Less compelling -- and more manipulative -- than it should be, Conviction benefits from its compelling true story and a pair of solid performances from Swank and Rockwell. | 14 | |
What the People say | ||
Internet 5861 Netizens Nothing shocking or original but effective none the less! | 14 | |
Average .. 60% | 12 |