Take no prisoners.
| Cast |
Guy Pearce, Maggie Grace, Vincent Regan, Joseph Gilgun, Lennie James, Peter Stormare, Jacky Ido |
| Director |
James Mather, Stephen St. Leger |
| Screenplay | Stephen St. Leger, James Mather, Luc Besson |
| Music | Alexandre Azaria |
| Cinematography | James Mather |
| Editing | Camille Delamarre, Eamonn Power |
| Sound formats | Dolby Digital, Sony Dynamic Digital Sound, Datasat |
| Made in | 2012 |
| Produced by | Europa Corp., Canal+, Ciné+ |
Official Site | IMDB page | ScreenIt Report
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| Genre | Action, science-fiction, thriller |
| Language | Infrequent, moderate to strong, expressing emotion: 'bullsh*t, son of a bitch' |
| Nudity | None |
| Sex | None |
| Violence | Frequent, action, strong impact |
| Prejudice | None |
| Blasphemy | None |
| Drug abuse | None |
| Comments | An action-packed futuristic thriller involving a lock-down at a maximum security prison. |
| These details are supplied by the FPB. If you have a problem with any of the above, please take it up directly with the FPB. Read the Classification Guidelines. | |
| Scale (Max) | 20 |  |
What the Critics say | ||
| Die Burger Leon van Nierop  As dié reseppie kos was, was dit gemors. | 5 |  |
| Box Office James Rocchi Lockout isn't high art, but it's ridiculous fun. | 15 |  |
| Chicago Sunday Times Roger Ebert I imagine the movie's intended audience will enjoy itself. | 13 |  |
| ScreenIt C. Fuchs As it stands, Lockout is too derivative, slapdash and uninvolving to be any kind of memorable. | 8 |  |
| Metacritic.com 32 critics | 10 | |
| Rottentomatoes critics 117 critics | 10 | |
| Rottentomatoes tomatometer Tomatometer Guy Pearce does the best he can with what he's given, but Lockout is ultimately too derivative and shallow to build on the many sci-fi thrillers it borrows from. | 7 | |
| Movie Review Query Engine MRQE critics   | 10 | |
| Movie Review Intelligence 35 critics | 8 | |
What the People say | ||
| Internet 13961 Netizens Nothing Special | 12 | |
Average .. 49% | 10 | |