How Peter Jackson Made WWI Footage Seem Astonishingly New
The director restored archival combat film to pristine clarity for “They Shall Not Grow Old.”
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He took on this film thinking the superhero had few fans. Then some other DC movies didn’t excite the public; now the new one faces unexpected pressure.
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“Roma” is just the start of the company’s film plans. Traditional studios and multiplex chains are wondering if the strategy will cause people to skip theaters.
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“Spider-Verse” took in about $35 million, enough for No. 1. “The Mule,” with $17 million, gave Clint Eastwood his best initial result since 2000.
...More>>‘The Mule’ Review: Clint Eastwood’s Very Strange Drug Trip
In his latest exploration of modern masculinity, the veteran filmmaker plays an unlikely courier for a cartel who finds redemption. It’s a rough ride.
...More>>‘Mortal Engines’: How the Filmmakers Created a Roaming London
The makers of this science fiction film discuss what was required to turn a sprawling city into a giant R.V.
...More>>Anatomy of a Scene: How Shopping for a Crib Turns Violent in Alfonso Cuarón’s ‘Roma’
The director and writer discusses the work that went into recreating the Corpus Christi massacre of 1971.
...More>>Critic’s Pick: ‘Spider-Man: Into the Spider-Verse’ Review: A Fresh Take on a Venerable Hero
This lively, diverse comic-book movie brings some fun to a genre that often takes itself too seriously.
...More>>Critic’s Pick: ‘If Beale Street Could Talk’ Review: Trusting Love in a World Ruled by Hate
The couple in this adaptation of James Baldwin’s novel are loving while black, an existential truth that is turned into a nightmare.
...More>>‘Downton Abbey,’ Oprah and More: 7 Things to Know in Pop Culture This Week
What you need to know from this week’s TV, music and movie news.
...More>>Nitehawk Prospect Park Is Finally Ready, Promising Art-House Movies (and Cleaner Floors)
Expanding from its Williamsburg location, Nitehawk has taken over the Pavilion in Park Slope, a notoriously decrepit theater that closed in 2016.
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